Tuesday, May 6, 2008

David Cross Interview

The Believer, May 2008

Quick note on the text: this was one part of a two-part interview. I interviewed Cross from the point of view of someone who hated him. Another writer interviewed him as a fan.

I have complicated and conflicting feelings about David Cross’s work, which is appropriate, as he’s a complicated, difficult performer. As I told him when we met, I think he’s talented. He has a nimble mind, great timing, and a knack for absurd humor. However, his performances often seem driven by an anger and smugness that overpower his appeal, particularly in his stand-up. I was managing editor of New York Press when he released his second CD, It’s Not Funny, which was the prime reason for his inclusion on the paper’s “50 Most Loathsome New Yorkers” list. We called him “meandering” and “not funny,” and wished that Andrew Dice Clay would inflict bodily harm upon him. Even though some on the staff, including me, were inclined to agree with his liberal anger, we thought Cross’s tone was alienating and shrill.

In addition, Cross has waged public crusades against seeming straw men like Creed’s Scott Stapp, Jim Belushi, and Larry the Cable Guy. I’ve always been confounded by the attention Cross paid them.

I chatted with Cross in late 2007 at his East Village apartment. He was extremely self-aware, willing to speak frankly about awkward subjects with admirable candor and introspection. Honestly, I came away liking him a lot. Also, he had embroidered towels in his bathroom. One read DAVID’S. The other read ALSO DAVID’S. I’m not sure what conclusions should be drawn from that, but it’s the kind of detail that as a reporter I would feel remiss if I kept to myself.

HATER: I understand that you were angry, and [your 2000-2001 stand-up act] was a free-flowing of expression. And, I feel like a dick for saying it, but did you forget to write punch lines?

What I’d say to that is that I’ve never written jokes. I mean, I’ll write things on a piece of paper and riff on them onstage. What I don’t think is fair, and what I think you’re implying, is that there’s nothing funny in it. That’s fine, that’s your opinion.

HTR: I’m not saying it’s not funny. I’m saying that it’s undernuanced at times. It could be more clever or well-constructed.

DC: Yeah, probably. You can continue to craft it and hone it. But that, for better or worse, is not what I do. It might read funnier, definitely, but it would feel false. I think I could have a funnier, more economic set. But that’s the comedy I do. And I understand if people aren’t interested in it and would rather listen to someone else. But I’ll never understand the anger people have toward me. And here is the rest of it.

For the rest of the interview, go buy the magazine. It's on sale at a bookstore near you!

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11 Unlikely Summer Movie Heroes

20 years after 'Die Hard,' heroes are coming in surprising sizes and shapes.
Premiere.com, May 8, 2008

1988 was a watershed year for explosion-laden, bullet-riddled action flicks. Chiseled body builder-types like Sylvester Stallone, Arnold Schwarzenegger, Dolph Lundgren and Carl Weathers racked up massive body counts in Rambo III, Red Heat, Red Scorpion and Action Jackson. But that year's best-remembered action film announced the age of over-grown muscle stars had passed. In Die Hard, Bruce Willis's John McClane was a different kind of action hero. He was an unstoppable killing machine audiences could relate to — a wise-cracking, barefoot beat cop who needed every lucky break he could catch. Flash forward 20 years, and the lasting effects of the Bruce Willis-ification of the action star are evident. The girlyman heroes appearing in this summer's event movies include fresh-faced art house stars, doughy comedians and AARP members. This summer, it seems, almost any Joe can be a hero.

Read the rest of the article (laid out in a lovely slideshow format) here. Read more!